The Jacobean Entrance Hall

The Jacobean entrance hall has panelling created in the early 1600s.

https://youtu.be/28pyf7aMzBE

Entrance hall corner grotesque

The French boiseries in the Camden Place dining room are not the only panelling of note. Visitors' first impression of Camden Place is the entrance.

 

The heavily carved oak panelled hall was added to the building in the 1760s as part of the works undertaken by Charles Pratt/Lord Camden to turn this country property into a Georgian mansion  and renaming it Camden Place. Architects George Dance (probably senior) and James ‘Athenian’ Stuart were involved in the transformation.

At the time the this was the rear entrance to the property used to access the grounds and for the staff. There are two ‘secret’ doors in the panels, allowing servants easy and discrete access to the eating and sitting rooms.

The panels themselves date from the late 16th or early 17th century possibly created by Flemish craftsmen working in England. They have been salvaged from elsewhere for use in this entrance.

The latticed ceiling is likely to have been introduced when the room was added to the building in the 1760s. Hand made nails indicate the addition was part of the Camden changes to the property rather than being added in the 1860s by Strode.

A short video by Mikael Hasler-Fry

The wood-panelled entrance hall at Camden Place

Entrance Hall with Jacobean panelling

A Fanciful Idea

If the panels date from the early 1600s and are an example of architectural salvage, then it is just possible they have come from William Camden’s original property, built on the site at that time.

The subsequent owner, Robert Weston, who demolished the Camden property, and started the current building thought enough of the antiquarian’s reputation to name his new home Camden House. Is it just possible he wanted more of a tangible connection to the Elizabethan scholar and so retained panelling from his study?

If so, the panels were repurposed twice because the entrance hall was added in 1760 not 1717.

Entrance hall corner grotesque

17th century grotesques and an 18th century ceiling

Entrance Hall - Lute player grotesque

One of twenty grotesques

Ceiling panels

Read more about the Entrance Hall Figures

Descriptions of the entrance hall carving are taken from the report put together for Camden Place by Dr Lee Prosser, Curator of the Royal Palaces.

The entrance hall panelling makes an interesting subject, and while some is likely to be original, i.e. later 16th or 17th century, the room has been greatly, but expertly augmented. It is by no means certain if this carving is even English – such elements of grotesque design and florid panelling of this period could also be Flemish or even German in origin, but stylistically, we see elements of the baroque in the use of little cherub’s heads, whilst holding onto traditional forms such as the fierce masks of the central panels. The geometry of the composition, with alternating repeats of specific design elements show that the panelling is not completely put together from random parts, but forms a complete set. The veneer inlays or intarsia work in the upper cornice, with the quality of the overall carving show that it derives from a high-status interior, possibly from a major room in a house of the Jacobean period. The figures are a very interesting aspect of the room, bearing hallmarks of individuality.

Entrance Hall Grotesques

They are, running clockwise from the north-west corner:

  • Male satyr with beard
  • Horned goat-man with book
  • Male satyr playing harp
  • Male figure with bagpipes
  • Horned satyr with bucket
  • Male satyr with wind instrument
  • Hooded male satyr with shield
  • Female satyr
  • Male satyr
  • Hooded female satyr with hand on breast
  • Horned bearded male satyr with tablets (Moses)
  • Bearded male satyr with hand on breast
  • Bearded male figure with basket
  • Hooded male satyr with bird and fruit
  • Male figure in ruff with stringed instrument (head to side)
  • Female horned satyr with book
  • Male bearded satyr with cap
  • Female satyr
  • Male bearded satyr caryatid with pointed hat (no arms)
  • Male horned satyr

Entrance Hall secret door

One of two 'secret' doors leading to the living rooms

A Note on Conservation

Since 1805 this has been the main entrance to the property. For over 200 years the doors have opened in all weathers and seasons and the panelling is showing signs of the impact. Remedial works have been carried out as needed but this room is high on our list of heritage conservation projects.

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Hall d’entrée

Dans les années 1760, Charles Pratt/Lord Camden chargea l’architecte George Dance de transformer la maison de campagne de Robert Weston en manoir géorgien.

Cet agrandissement comprenait une extension de trois étages à l’avant de la maison et comprenant ce hall d’entrée de style jacobéen.

Les panneaux muraux en chêne de style jacobéen datent du début du XVIIe siècle et ont probablement été créés par des artisans flamands.

Une partie du plafond est contemporain à la création de l’entrée aux environs des années 1760.

Les vingt petites sculptures (grotesques ou chimères) sculptées sont chacune unique et étaient destinées à éloigner les mauvais esprits.